A sultry Asian woman emerges on the Empire Plush Room’s dimly lit stage in a long, slinky white dress, hiding coquettishly behind two huge red feather fans, and she begins a slow, coy and slightly demure striptease … but the woman in question is Margaret Cho, known for being as in-your-face as possible, so you’d be right if you guessed that this striptease included a few surprises.

Cho has been called many things, but shy is not one of them. No stranger to controversy, her blistering stand-up comedy tackles topics ranging from political and sexual to intensely personal. Not that she held anything back before, but now Cho really lets it all hang out in her burlesque/variety show, The Sensuous Woman.

The 38-year-old San Francisco native has already conquered comedy, acting and writing; now The Sensuous Woman shows us sides (and parts) of Cho most of us have never seen before.

“I really wanted to do a show like this, where I’d have a format to do different kinds of comedy but also dance and sing and do some things that I wouldn’t necessarily do as a stand-up comic,” Cho said during a visit to the city in October.

The Sensuous Woman allows Cho to combine many of her loves – comedy, burlesque, belly dance, rap and women. In an April installment of her blog, Cho said her goal was to create a show that celebrated the beauty of the female form, in all its forms.

“I wanted a place for women to feel safe, to feel seen, to be sexy, to feel good about themselves, doing their thing.”
The show plays monthly at El Cid restaurant in Los Angeles and travels periodically to San Francisco and Miami. With a rotating cast of supporting players, including burlesque and belly dancers, stand-up comics and musicians, The Sensuous Woman gives Cho a forum to do some sexy numbers of her own, with hilarious twists. Of course no Cho show would be complete without her wicked stand-up. True to form, she rants about everything from politics and sex to reality TV, religion and, of course, her mother.

Most of the performances benefit nonprofits, such as the Center for Sex and Culture, the National Breast Cancer Fund and The Tweakers Project, but “also things that kind of fall under the radar for charity but are definitely people in need, too,” Cho says.

Cho consistently incorporates other local talent into the cast. Matthew “Ted” Edwards, singer of San Francisco’s the Music Lovers, describes how the band became part of the show.

“Margaret contacted me via the Sensuous Woman MySpace page about 12 months ago,” he said via e-mail. “Margaret said she was a huge fan of the Music Lovers [and] asked if we'd like to contribute to the show by performing and perhaps writing some songs.”

The Music Lovers have since lent their lavish cocktail pop to Sensuous Woman shows in San Francisco and L.A.

“Our songs seem to lend themselves very well to dance performance,” Edwards goes on. “We are lushly romantic, but not atypically bawdy like much burlesque music – this contrast is what marks the show out as an original concept and shows Margaret's vision for The Sensuous Woman.”

Cho, who last year directed a video for their song, “The Former Miss Ontario,” and will do the same for their new single, “Masculin, Feminin” in March, continues to collaborate with the band – three Music Lovers songs will be featured in Cho's directorial debut, Silver Lake Dissolve (in production), and Edwards will perform with the comedian at the next Sensuous Woman show at Bimbo’s on February 22.

As The Sensuous Woman gained momentum and popularity, Cho’s co-star, Diana Yanez (“Angela”), introduced her to Oakland comedian Jen Slusser, who joined the SF edition of the variety show. Slusser says the experience was much like any other show, with a few exceptions.

“Everyone was very supportive of each other, and you don't always find that among performers on a bill. [And there were] a lot more naked nipples than I usually see onstage during one of my shows,” she added with a smile.

Slusser says her experience working with Cho was another pleasant surprise.

 

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All photos by Ben Kasman